David Eckard: Deployment is a midcareer survey that covers 20 years of the artist’s career with over 40 artworks, including new paintings, sculpture and performances, and a selection of past sculptures, drawings and documentation. The exhibition, at Marylhurst’s Art Gym through December 11, is accompanied by a catalog with an essay by fellow PNCA faculty and artist and writer Daniel Duford. Included in the catalog are illustrations of more than 60 of the artist’s artworks, many of which no longer exist or existed only briefly in installations or as props for performance. David Eckard: Deployment is part of Portland’s 20th Anniversary Celebration of the Bonnie Bronson Fellowships—which includes an retrospective exhibition on the PNCA Campus of Bonnie Bronson’s work.
In 2010, David Eckard received the Bronson Fellowship. The artist has received a number of prestigious awards including the Artist Trust Fellowship (Seattle, Washington, 1998), the Bonnie Bronson Fellowship (Portland, Oregon, 2010) and the Ford Family Foundation’s Hallie Ford Fellowship in the Visual Arts award (Roseburg, Oregon, 2010). David Eckard will also perform at numerous locations in the Portland metro area this fall, he performed his new work ©ardiff at the Portland Institute for Contemporary Art’s TBA festival in September. This is followed by performances of ©ardiff or other works at Lewis & Clark College, Marylhurst University, Reed College and the Pacific Northwest College of Art.
The Art Gym is also collaborating with White Box at the University of Oregon in Portland on a satellite exhibition focusing on 2D work—paintings, drawings and video. David Eckard: The White Box Deployment continues through Saturday, November 12.
The winners of the 2011 Constructor’s Design Challenge—a competition to build the best utility bicycle—will be exhibited at Museum of Contemporary Craft from September 27–October 29, along with two public programs. Learn more…
Founder of SELCO India dispels the myth that poor people in developing countries cannot afford solar technology. Listen to him speak at the first MFA in Collaborative Design lecture of 2011 on September 21. Read more…
PNCA is pleased to announce the schedule for the 2011-2012 Graduate Visiting Artist Lecture Series, presented by ZGF Architects LLP and supported by PNCA+FIVE (Ford Institute for Visual Education). Unless otherwise noted, Visual Studies lectures are held in the Swigert Commons at the PNCA Main Campus Building, Applied Craft and Design lectures are held at The Bison Building in the Applied Craft and Design Studios, and lectures begin at 6:30 pm. For the most up-to-date information about each lecture, visit the PNCA Calendar.
Focused on experiential learning, knowledge sharing and cross-disciplinary exchange, PNCA’s Graduate Visiting Artist program is a dynamic and essential part of each graduate program’s curriculum. Throughout the year, artists, scholars, designers, curators and critics from around the globe are invited to engage with students and the community in a variety of formats, including lectures, conversations, panel discussions, group critiques, workshops and studio visits. These visiting artists contribute to, challenge and expand the academic and artistic discourse at PNCA, extending the possibilities for innovative instruction and learning.
It’s that time of year again—new students are flooding Swigert Commons, classes have just begun and the Portland Institute for Contemporary Art (PICA)’s ninth annual Time-Based Art Festival (TBA) is only one week away. Each year, the TBA Festival jump starts the school year with a challenging and inspiring lineup of contemporary performance, dance, film, monologue, new media and visual arts. It draws artists from across the country and around the globe for a convergence of contemporary art in Portland. The Festival is presented September 8–18 at venues around town, with visual arts exhibits running through October at Washington High School.
Pacific Northwest College of Art partners with PICA and TBA to offer a series of noontime chats, classroom visits and workshops with some of the leading thinkers and makers in contemporary art. These conversations transform the campus into a laboratory, and invite students, professors and community members to actively engage in contemporary art criticism. In addition, PNCA students receive special passes to TBA events, allowing them to attend events and report back on them in their coursework.
This year, the talents of several PNCA faculty and alumni contributed to the production of and mounting of TBA:11. Practicing the art of curation behind the scenes, PNCA alumni Val Hardy ’11 worked as the Curatorial Assistant and Gallery Manager, and Kent Richardson ’06 acted as the Principal Preparator and Exhibition Designer. PNCA community members showcased on stage or in the galleries include:
Anna Gray ’08 and Ryan Wilson Paulsen ’08, Don’t Worry We’ll Fix It
Gray and Wilson establish a production office to examine the ways that the institution of history is continuously built up and broken down. The artists will produce the publication September and work on-site to correct, revise and compile errata from previous editions of the paper.
Opening reception: September 8, 2011, 8–10 pm
On Sight Salon, October 2, 2011, 2 pm
WASHINGTON HIGH SCHOOL
531 SE Stark Street, Portland, OR
PNCA presents Disorientalism: Ready Mix
Curated by Mack McFarland, Pacific Northwest College of Art
Disorientalism is an ongoing collaboration between Katherine Behar and Marianne M. Kim. Through live performance, video and photographic projects, the artists explore how technologized labor, junk culture and consumerism mediate race, gender and bodies.
September 1–October 22, 2011
PACIFIC NORTHWEST COLLEGE OF ART, Project Space
1241 NW Johnson Street, Portland, OR
PNCA presents It’s All A Blur
Curated by Justin Hoover, SOMArts Cultural Center
It’s All A Blur focuses on three West Coast masters—Guillermo Gómez Peña, Dale Hoyt, and Tony Labat—who have pioneered an intellectual, multifaceted approach to identity and art as means for social justice in the post-Bush era. Their work deals with levels of empowerment and enfranchisement in the American West and the current status of the American Dream.
September 1–October 22, 2011
PACIFIC NORTHWEST COLLEGE OF ART, Feldman Gallery
1241 NW Johnson Street, Portland, OR
David Eckard, ©ardiff
PNCA Faculty Member David Eckard returns to the streets with his sideshow pitch and a roaming rumination on the Cardiff Giant’s long, lingering shadow.
September 9–18, 2011
Various locations, visit pica.org for details.
Tesar Freeman ’09, Gadsden
A contemporary reenactment of this pre-Betsy Ross flag, altered by the bias of current events and the slow revisions of time, will fly from Washington High School’s flagpole.
September 8–October 30, 2011
WASHINGTON HIGH SCHOOL
531 SE Stark Street, Portland, OR
Michael Reinsch BFA’01, MFA ’09, Gallery Walk
Wearing a constructed gallery costume, Reinsch wandered throughout Portland accompanied by a gallery assistant as a living personification of the site of exhibition. During open hours, the gallery/man presented temporary exhibitions and spewed the poetry of the artist statements and didactics that we rely on for context and understanding when viewing art.
September 1, 2011, 6–9 pm
PACIFIC NORTHWEST COLLEGE OF ART, Feldman Gallery
1241 NW Johnson Street, Portland, OR
The PNCA community is deeply saddened by the passing of Joan Shipley. Her consistent dedication to the local arts community and her unfaltering support of PNCA and Museum of Contemporary Craft made her one of the most valued art patrons in Portland.
Tom Manley, PNCA’s president, in writing to the College community about the news, remarked:
“In losing Joan, we have lost a great community treasure and champion of the arts. Joan exemplified the very best qualities of civic involvement and leadership. Hers was a thoroughly humanist vision and no one worked harder, more gently, more quietly or with greater ultimate effect than she. Speaking on behalf of the College—just one institution of the dozens Joan Shipley helped to make better—and my family, I send our deepest condolences to her husband John and their family at this terribly sad time.”
Joan was no stranger to the PNCA community. She was a board member of Museum of Contemporary Craft (when it was called the Contemporary Crafts Association) from 1975 to 1979. She served as a voluntary interim gallery director during this time, when the Museum was without an appointed director.
President Manley mentioned as well the leadership and generous support of other members of the Shipley family to PNCA, in particular John Shipley who as a past board member helped to guide the school’s transition to the Peal District campus and helped to found the Philip Feldman Gallery and Project Space and Thomas Shipley, John and Joan’s son, who currently serves on the PNCA Board of Governors.
There are hardly any organizations in town with which Joan Shipley did not have direct involvement. In addition to PNCA and Museum of Contemporary Craft, Chamber Music Northwest, Literary Arts, Oregon College of Art and Craft, Portland Institute of Contemporary Art, where Joan was a founding member, and the Sitka Center, to name a few, can attest to the depth of positive contributions the Shipleys have made to the Oregon arts community. In recognition of her efforts, Joan was a recipient of the 2004–2005 Governor’s Arts Award as well as the Portland Art Dealers Association (PADA) Award for Service to the Visual Arts in August 2011.
Shipley’s love of art and her belief that creativity is the gateway to good citizenship are the cornerstones of the legacy she leaves behind. Joan Shipley will be remembered for working endlessly, gently and often anonymously to elevate the prominence of art, culture and civility.
The College will announce plans for a remembrance in honor of Joan once details become known. In addition, PNCA will publish a memorial article about her contributions to the arts community on Untitled in the coming weeks.
A myriad of exhibitions open Thursday, September 1, including It’s All a Blur, Disorientalism: Ready Mix, Bonnie Bronson: Works 1960–1990 and many student shows. Visit the PNCA Calendar for more information.
PNCA welcomes back students for the 2011–2012 academic year and the first week of classes. Convocation, given by visiting artists Katherine Behar and Marianne M. Kim, is Thursday, September 1 at 12:30 pm in the Swigert Commons.
Incoming MFA in Visual Studies candidate Takahiro Yamamoto ‘13 gives a series of performances on August 30 at @937, an art space programmed by Fourteen30 Contemporary.
Using Canadian pianist Glenn Gould and French writer Andre Gide as starting points, Tighty Righty mixes and remixes physical images of adrenaline with writings of rhythmical texture and obsession. The performance is presented in a thread installation that subtly yet sharply defines a performance space, along with a slideshow of 2354 portrait photographs in a rapid succession as a preface.
Tuesday, August 30
6:00 pm, 7:30 pm, 9:00 pm
(30 minute performance duration)
937 NW Glisan Street
Portland, OR 97209
Originally from Shizuoka, Japan, Takahiro Yamamoto is an artist, photographer and actor based in Los Angeles. He studied physical and devised theatre extensively in New York, Chicago and Los Angeles with theatre practitioners such as Mary Overlie, Anne Bogart and SITI Company, Goat Island Performance Company, Rachel Rosenthal and Independent Shakespeare Company. This fall, Yamamoto begins his first semester in the MFA in Visual Studies program at Pacific Northwest College of Art.
Fourteen30 Contemporary, with generous support from 937 Condominiums and New & Neville Real Estate Services, presents six months of programming at 937 NW Glisan, in Portland. Their goal is to connect a larger Portland audience to the vibrancy of visual and performing arts happening outside of the Pearl district.
PNCA welcomes incoming undergraduate and graduate students for the 2011-2012 academic year. New freshmen and transfer students attend orientation Thursday and Friday, August 25 and 26. MFA orientation is Monday, August 22, and the first day of classes is Monday, August 29.
In two articles published by The Oregonian, MFA in Applied Craft in Design alumna Leslie Vigeant ‘11 and candidate Billy Rueck ‘12 find unique ways of pursuing their art.
Leslie Vigeant ‘11 was awarded six months of access to the mounds of refuse at Metro’s Central Transfer Station along with four other area artists, as part of a program developed by Metro, Recology and non-profit Cracked Pots.
Billy Rueck ‘12 is currently interning at ADX, a new membership-driven shared workspace in inner southeast Portland. As a fabrication and shop intern, he will earn credit toward his Master of Fine Arts.
Read more about ADX in The Oregonian.
Literary Arts is currently accepting nominations for the new Oregon Book Award in Graphic Literature, a new award sponsored by PNCA which honors outstanding published work by Oregon cartoonists and graphic novelists. The award was created in April 2011 amid a week that included a visit to Portland by award-winning graphic novelist Art Spiegelman, author of Maus. In addition to speaking for Literary Arts, Spiegelman visited the PNCA campus, meeting with students and holding a conversation with Portland-based graphic novelist Joe Sacco on Tragedy, Comedy and Truth in Comics.
PNCA’s increasingly popular illustration program emphasizes a strong interdependence between timeless technical mastery and contemporary marketplace savvy.
The deadline for submissions for the Oregon Book Award in Graphic Literature is Friday, August 26 at 5 pm.
Portland lost one of its most respected and versatile artists and educators when alumnus and faculty emeritus William James “Jack” McLarty ‘40 passed away on July 10.
McLarty, who graduated in 1940 from PNCA, then the Museum Art School, was an avid supporter of the Portland art scene. Many of his relationships with other young artists around the city were formed during his 35 years of teaching at PNCA. He influenced and mentored generations of students including such local artistic giants as George Johanson. In 1961, he and his wife Barbara opened the first artist’s cooperative gallery in Portland, the Image Gallery, which was dedicated to showcasing young and local talent.
During his career, McLarty explored themes and motifs specific to Portland, invoking the city’s people and places including the Willamette and its many bridges. A diversely talented artist, McLarty incorporated different media and materials into his work from found architectural pillars to different papers for woodcuts and prints. His largest public work, a woodcut mural, is on display in Portland City Hall.
A memorial for Jack McLarty will be held in the PNCA Swigert Commons at 2 pm on Friday, August 12. A retrospective of his artwork entitled, Jack McLarty: Prints and curated by Tad Leflar has been mounted for the month of August in the Corner Gallery and will include woodcuts and engravings spanning over forty years of McLarty’s career. One of McLarty’s personal proof presses, now a much-used staple of the printmaking department at PNCA, will also be included in the exhibition.
Join Carl DiSalvo, Tad Hirsch, Cathrine Kramer and Sarah Wylie for the four-day Institute in Collaborative Design, August 15-18. Each day-long workshop will introduce design strategies and methods for stakeholder engagement.
The I Heart Art: Portland project has teamed up with Etsy to bring a one-day conference on small business and sustainability to PNCA on September 17. The event coincides with a parent conference in Berlin and satellite events in four other US cities, including Brooklyn, New York; Washington, DC; San Francisco, California; and Los Angeles, California.
This year, Portland’s Regional Arts and Culture Council (RACC) named PNCA Alum Eric Stotik ’85 as their 2011 Fellow in Visual Arts. The prestigious fellowship includes an award of $20,000.
“It’s a huge, super honor,” said Stotik. “It’s a huge responsibility, a heavy weight.”
Stotik plans to use his award monies to rent a studio and work on some large-scale artwork, perhaps on giant rolls of paper, beginning at one end and working his way through the year to the other end. Stotik’s work is usually small, and is meticulously painted. Seen in person, his paintings almost glow, so masterfully does Stotik manipulate his materials.
His work is a dark exploration of the human form and pathos that borders modern surrealism. Despite the fantastical nature of his paintings, his inspiration arises from nonfiction books, photos and old etchings rather than dreams. Stotik uses contemporary events as a narrative thread through his paintings, which often explore themes of identity, loss, war, interconnection and the human condition.
“Eric Stotik is one of our community’s most extraordinary artists,” said Eloise Damrosch, executive director of RACC in the press release. “His unique paintings are compelling because they are intelligent and mysterious. We are delighted to extend Eric this recognition and we thank him for his contributions to the visual arts in Portland.”
The RACC fellowship is one of the largest and most prestigious grants to be awarded to individual artists in the Pacific Northwest. The prize rotates between four artistic disciplines: Performing Arts, Media Arts, Literature and Visual Arts. To qualify, artists must have been practicing their craft for ten years and have spent the past five years in the Portland area. Stotik, who moved to Portland when he started at PNCA, is part of a rich community of artists in town and has been represented over the years by such galleries as PDX Contemporary and the Jamison-Thomas Gallery. He is currently represented by Laura Russo Gallery in Northwest Portland.
When asked what experiences or resources he draws on most from his time at PNCA, Stotik instantly responded: “Friends. There’s a high attrition rate [in the visual arts]. It’s important to surround yourself by supportive people.”
In being named RACC’s 2011 Fellow in Visual Arts, Stotik joins the ranks of such Portland luminaries as Michael Brophy, Judy Cooke, Henk Pander and former PNCA writer-in-residence, Kim Stafford.
Stotik is currently working on a December show for Laura Russo Gallery.
This August, artist Nikki McClure brings her meticulously produced sculptural paper cuts to the walls of Museum of Contemporary Craft. McClure, who is a native of Washington State, embodies the independent spirit that continues to bring national attention to creative activities in the Northwest. Her illustrations, which can be found on t-shirts, books, album covers, and posters as well as in her wildly popular annual calendar, insist quietly but forcefully that people sit up and take notice of the world.
“As far as ‘calling out to the world,’ the calendar does that in two ways,” McClure says. “The first is, ‘Hey, I’m here! I make pictures!’ and it has opened doors for me and adventures have been offered because of that call. It is my calling card and portfolio. The second call is, ‘Wake Up!’”
McClure’s self-made career is a model for young artists everywhere. In each piece, her message is clear: Take action. Make your own life. Pay attention.
McClure celebrates the moments, both large and small, that that fill our daily lives. Her work documents her life, family and community, showing real people engaged in activities that have happened for thousands of years: picking berries, sharing meals, swimming in rivers.
McClure recently explained, “My work is about hope and optimism—by using humanity’s strengths, we can fix the mess we’re in.”
The exhibition at MoCC reveals how an artist can be an active, successful, engaged maker using only simple materials and tools. As with everything she does, McClure models a self-sustained life, built on her own terms.
Nikki McClure: Cutting Her Own Path, 1996-2011 opens at Museum of Contemporary Craft on August 18. McClure will teach a workshop sponsored through PNCA Continuing Education in September and will give a lecture as part of the 2011-2012 Graduate Visiting Artist Lecture Series on October 20.
I Heart Art: Portland hosts the third iteration of its unique speed-networking event, the Mixer Match, on August 17. Artists interested in “speed-dating” with local shops and boutiques are invited to apply by July 22, and PNCA students and alumni are entitled to a waived registration fee.
Institute scholar Norman Klein lectures July 18 on “Dismantling the American Psyche” at 6:30 pm as part of the 2011 Boundary Crossings: An Institute in Contemporary Animated Arts.