There are numerous students and alumni exhibiting on campus at PNCA and at other venues throughout Portland for the month of April. See the BFA Juried Show in the Swigert Commons, a solo show by Darja Bajagic in the BFA Gallery, S-From in the Higgins Gallery, and Loop in the MFA Gallery. FalseFront presents Light Structures, curated by Laura Hughes MFA ‘10 and featuring the work of Sydney Kim MFA ‘10 and Cay Horiuchi MFA ‘12.
Between gracing Washed Out’s album covers and dominating the tumblr scene with haunting images of smoke and light, Delaney Allen MFA ‘10 has been busy since graduating from the MFA in Visual Studies program two years ago. He was recently featured on the international blog iGNANT and has his second solo exhibition opening at Nationale on April 6.
Born in Fort Worth, TX, Delaney Allen received his MFA from the Pacific Northwest College of Art in 2010. His photographs have been shown nationally and internationally, most notably at Foam Museum in Amsterdam, NL. Additionally, he has self-published three books, one of which was included in Photo-Eye Magazine’s “Best Of” list for 2010 (Between Here And There). His work has been featured in a number of print publications including Nylon Magazine and France’s Tell Mum Everything Is OK. Allen currently lives and works out of Portland, OR where he is represented by Nationale.
PNCA’s own Rose Bond, the chair of the Animated Arts department in the BFA program, has been awarded one of the five 2012 Ford Family Foundation Caldera Artist in Residence (AiR) Prize.
The Ford Family Foundation Caldera AiR Prizes are given to full-time Oregon artists over the age of 30 who are currently active and have been active in their art form for the last seven years. Along with a residency at Caldera, these awardees have been granted a financial stipend. The awards given are a result of a generous donation from the Ford Family Foundation.
Rose Bond is a Canadian born media artist who lives and works in Portland, Oregon. Her short films have been screened in international competitions including Sundance, New York Film Festival, Ann Arbor Experimental Film Fest, and the Ottawa, Annecy, Hiroshima and Stuttgart Animation Festivals. She has created large-scale, site-specific public installations for a number of locations, including Intra Muros which was projected by Director’s Invitation at the 2007 Platform International Animation Festival and restaged for the Holland Animation Film Festival in 2008 and Gates of Light sponsored by Bloomberg LP at the landmark Museum at Eldridge Street in New York’s Lower East Side. Illumination No.1 her groundbreaking public media installation premiered in the windows of Portland’s Seamen’s Bethel Building in 2003. Bond is a Princess Grace Statue Award winner and a NEA and AFI film grant recipient. Bond is the chair of the Animated Arts department at PNCA. Her direct animation films are held in the Film Collection of the Museum of Modern Art in New York City.
Current BFA student Austin Adkins ‘12 and alumnae Linda Hutchins ‘88 were selected to perform at the Low Lives 4, an international festival of live performance-based works transmitted via the internet and projected in real time at multiple venues throughout the U.S.
Portland Institute for Contemporary Art will present performances by Adkins and Hutchins on April 27, 5:30–8:30pm, and April 28, 12–3pm, in their new space, 415 SW 10th Ave (Suite 300).
With experience in competitive roller-skating, Adkins will create a physical “video loop” online and in the PICA space, using his skates as training wheels towards the development of physical proficiency. Hutchins will combine drawing and percussion in a performance that weaves repeated strokes of silver from ten finger thimbles into a rhythmic pattern on the walls.
Photo: Katy Knowlton ‘11
Pat Boas ‘98 joins the ranks of numerous PNCA faculty and alumni as a recipient of the prestigious award honoring artists from the Pacific Northwest. She will be honored at a reception at Reed College on April 18.
The Bonnie Bronson Fellowship Award was founded in memory of Pacific Northwest artist Bonnie Bronson ‘61, who died in a climbing accident in August of 1990. The Bronson Fund has for each of the past 21 years honored an artist from the Pacific Northwest with a fellowship and the purchase of their work for the Bonnie Bronson Collection. These works are stored at Reed College and on exhibition throughout the campus. There will be a reception honoring Boas at Reed College in the Gray Lounge on Wednesday April 18, 6:00 - 7:30 pm.
Pat Boas is an artist based in Portland, Oregon. Her work has been shown at the Portland Art Museum, the Art Gym, PDX Contemporary and the Elizabeth Leach Gallery in Portland, Oregon, the Boise Art Museum, the Salt Lake Art Center, the Nicolaysen Art Museum in Casper, Wyoming and Seattle’s Consolidated Works. Reviews of her work have appeared in Art in America and Art Papers and a catalog, “”Record Record,”” was published by the Art Gym in 2009. The recipient of several grants and awards for her studio work, she has written articles and exhibition reviews for such publications as Art Papers and artUS. Boas is an assistant professor of Art Practice in the Department of Art at Portland State University where she is coordinator of the MFA in Contemporary Art Practice/Studio program.
Previous Bonnie Bronson fellows have included notable alumni Judy Hill ‘96, Ann Hughes ‘94, Malia Jensen ‘89, Lucinda Parker ‘66 and PNCA Faculty Nan Curtis, David Eckard, and MK Guth.
PNCA hosted a retrospective for Bonnie Bronson this last September, celebrating 30 years of Northwest influence. There are photos on PNCA’s flickr site of the exhibition, and exhibition catalogs are available at Museum of Contemporary Craft.
Image: Pat Boas, (detail) June 22, 2008, Inside the Interrogation of a 9/11 Mastermind, 2009, From the series: NYT Little People, Gouache on paper.
Spring Break from March 26 - April 1.
Monday - Saturday 8am-10pm
Normal hours resume Monday April 2.
Matthew Lippincott and Molly Danielsson, mentors for the MFA in Collaborative Design’s Sanitation, Hygiene, and Integrated Technologies lab from fall semester, are part of an exhibition at the Center for Disease Control at Emory University. Constructive Interference is an interdisciplinary exploration of the impact of safe sanitation on human health that brings together artists and scientists from Emory University.
The exhibition runs March 19 - May 16. There is a reception March 26 at 5:30 pm in Claudia Nance Rollins Building, Room 6001. Lippincott and Danielsson present The Cloacina Project which “seeks to create open-source ecological alternatives to waterborne sewage in the urban West. We live in Portland, Oregon, and are currently engaging the public on regulatory reform of sanitation practices.”
They will also launch Sewer Catastrophe Companion: Dry Toilets for Wet Disasters, a handbook on emergency sanitation created by students from the Collaborative Design studio. Pre-release copies of the handbook will be available at the exhibition.
Faculty and Alumnus Sean Joseph Patrick Carney releases a new book at Printed Matter, Inc.
After receiving acclaim from Jezebel and Gawker for his previous publications, Carney releases his newest book, #DRUGS, at the world’s largest non-profit organization dedicated to the promotion of publications made by artists.
Social Malpractice Publishing is pleased to announce a special event at Printed Matter, Inc. Carney will perform at 6:00 pm on Friday March 23 at Printed Matter, Inc (195 10th ave, New York, NY 10011).
#DRUGS, a new book by Sean Joseph Patrick Carney, is a collection of nonfiction essays by the artist detailing events centered around self-administered psychedelic experiences. In conjunction with the book launch, Carney will deliver a special stand-up performance recounting some of the hysterical hysteria that ensued while under the influence. These stories, simultaneously funny and sad, speak to the recklessness of youth, male camaraderie, immersive experience, and both the sincere and superficial reasons we get high.
About Printed Matter, Inc
Printed Matter is the world’s largest non-profit organization dedicated to the promotion of publications made by artists. Founded as a for-profit alternative arts space in 1976 by artists and artworkers, Printed Matter reincorporated in 1978 to become the independent non-profit organization that it is today. Originally situated in Tribeca, Printed Matter moved to SoHo in 1989 where for twelve years the book displays and artists’ projects in the large storefront windows contributed to the artistic and intellectual vibrancy of the neighborhood. In 2001 Printed Matter relocated to Chelsea, where it continued to foreground the book as an alternative venue - or artistic medium - for artists’ projects and ideas. Finally, in December of 2005 Printed Matter moved into our current storefront location in Chelsea with big windows and greatly increased display and exhibition space. Recognized for years as an essential voice in the increasingly diversified art world conversations and debates, Printed Matter is dedicated to the examination and interrogation of the changing role of artists’ publications in the landscape of contemporary art.
The upcoming Betty Feves retrospective was featured on Monday’s edition of Oregon Public Broadcasting news.
In a web article titled “Pendleton Artist Subject of Retrospective,” April Baer of OPB followed the Museum’s staff as they traveled to Pendleton to visit the private home of Feves and get a first-hand look into the work of a woman with a modernist approach to northwest ceramics. Baer wrote “The staff of the Museum of Contemporary Craft is having Christmas in March this year. They’re unpacking the life’s work of the late Betty Feves, a sculptor who worked on the vanguard of clay construction in the late 20th Century. She’s the subject of a 40-year career retrospective in an exhibition that opens this Thursday.”
A person integral to the growth and development of PNCA’s strategic planning recently received some notable Portland attention. Deniz Conger, Senior Director of Philanthropy for Pacific Northwest College of Art and Museum of Contemporary Craft was named Honorable Mention in Portland Business Journal’s 2012 edition of their “Forty under 40”. Conger made the cut of the top 150 business and non-profit employees out of 1000 people nominated. PNCA is proud to highlight the efforts of one of its hard working employees.
In anticipation of the exhibition Generations: Betty Feves opening March 15, OPB’s Think Out Loud talked with Museum of Contemporary Craft Curator Namita Gupta Wiggers as she was at the Feves home in Pendleton, Oregon selecting and preparing objects to be shipped to the Museum for the exhibition. You can hear a podcast on the Think Out Loud website of Wiggers talking with Think Out Loud’s Dave Miller about Feves’ importance to craft and to the region as a mentor, educator, and activist on behalf of the arts.
Barry Sanders, Founding Co-Chair of the MA in Critical Theory and Creative Research speaks this Thursday, March 1, 2012 at Stanford University as part of Environment and War Week. Sanders is author of The Green Zone: The Environmental Costs of U.S. Militarism, a new investigation that examines in detail the environmental impact of US military interventions overseas. In a period of unprecedented scrutiny surrounding the social and economic impacts of the defense policies of the US government, Sanders explores a completely different aspect of the situation and positions military activity as the single-greatest contributor to the worldwide environmental crisis, looking at everything from fuel emissions to radioactive waste to defoliation campaigns. Barry Sanders is the author of 14 books and has been nominated for two Pulitzer Prizes, once for his book A is for Ox: Violence, Electronic Media, and the Silencing of the Written Word and again for Alienable Rights: The Exclusion of African Americans in a White Man’s Land, 1619-2000. He was professor of History of Ideas and English at Pitzer College. Sanders talk takes place Thursday, March 1, 7 PM in the Tressider Oak Room.
Pacific Northwest College of Art (PNCA) exceeded its fundraising goal, raising more than $100,000 in support of student scholarships at the 4th Annual Benefit Art Auction with Bonhams on February 22 at The Nines Hotel.
The Benefit Art Auction is one of the College’s signature annual benefits helping to meet the needs of student scholarships and financial assistance. More than 93% of PNCA’s 500-plus BFA and MFA students receive financial aid.
Under the volunteer leadership of Honorary Chair Jordan D. Schnitzer and Auction Committee Co-Chairs Sheryl Acheson and Tori Bryer, this year’s Auction featured a remarkable collection of works by more than 24 artists including David Hockney, Katherine Bowling, Anne Crumpacker ’11, and Manuel Izquierdo ’51.
The PNCA Benefit Art Auction is February 23 at The Nines. Artwork to be auctioned off is currently on display at the Heathman Hotel through February 21, and the full auction catalog is available online. For the fourth year, PNCA is working with auction house Bonhams, and CEO Malcolm Barber will again preside over the PNCA Benefit Art Auction. Read a feature on Malcolm Barber on Untitled Magazine and check out photos of the Benefit Preview event. Tickets are going fast and can be purchased by calling 503.821.8887 or emailing email@example.com.
Three Illustration majors had work accepted into the prestigious and highly competitive Society of Illustrators Student Scholarship Competition this year. Open to all BFA illustration students across the country, 200+ images are juried into the show from over 7000 entries. The winning entries are then juried again for scholarship awards that go toward tuition, supplies, etc. This portion of the judging is yet to be finalized.
Sera Stanton ‘12, Samantha Mash ‘13, and Jeffrey Versoi ‘13 will have their work displayed in the Museum of American Illustration in NYC with the opening reception on May 9. The show runs through June 2. Their work will also be printed in the show catalog that is distributed around the country.
PNCA’s Illustration program fuses professional practice with personal vision, pushing to students to develop the hybrid skill-set needed to flourish in today’s dynamic, multi-media marketplace. Learn more about the current students and faculty of the Illustration program on the Illustration Tumblr site.
Emily Ginsburg, Chair of Intermedia, Associate Professor in Printmaking and MFA Visual Studies is featured in the latest issue of The 22. The 22 is an annual arts and literature online magazine that explores connections and intersections between the works of artists, musicians and writers. Find the feature on pages 74-83 of the issue.
Maurizio Cattelan interviews MSHR, Birch Cooper and Brenna Murphy ‘09, for MUSEMAGAZINE.IT. He met them at the Tate when Oregon Painting Society performed there for No Soul For Sale. Birch and Brenna handed him a cassette tape…though he protested he didn’t have a cassette player. The interview took place in Milan at the end of MSHR’s month-long tour.
PNCA faculty members are committed to relentless pursuits of artistic expression, creative practice, and professional development. New American Paintings, a magazine that runs a juried exhibition-in-print, includes two current faculty members, MFA in Visual Studies Chair Arnold J. Kemp, and Assistant Professor Ellen Lesperance, in the 2011 Pacific Coast edition. Current Continuing Education instructor Damien Gilley and previous faculty member Jenene Nagy are also featured in the issue. Read more…
PNCA is excited to announce a new partnership with Blick Art Materials (1115 NW Glisan st). This collaboration features Blick Art Materials selling PNCA merchandise, hosting special PNCA events, and displaying student artwork. The Blick Art Materials Yamhill location (formerly Art Media) moved to a new store location in the Pearl District area of Portland at the corner of 11th and NW Glisan Street. A ribbon-cutting ceremony celebrated this innovative meeting of art and commerce with the opening of an exhibition space showcasing a collection of artwork from a talented group of students. The PNCA Gallery at Blick currently features the work of nine BFA students and is on view until February 22, 2012.
PNCA is pleased to announce that alumna Aidan Koch’s book The Whale was nominated for the Pacific Northwest College of Art Graphic Literature Award. This new award, offered through Literary Arts and sponsored by PNCA, honors outstanding published work by Oregon cartoonists and graphic novelists. It was created in April 2011 amid a week that included a visit to Portland by award-winning graphic novelist Art Spiegelman, author of Maus.
The creation of this award and Koch’s nomination speaks to the increasingly popular Illustration program at PNCA that emphasizes a strong interdependence between timeless technical mastery and contemporary marketplace savvy.
Koch’s The Whale has received much critical press. Liza Darwin of Nylon Magazine writes “In her debut graphic novel The Whale, 22-year-old artist Aidan Koch manages to conjure up some major emotions with barely any words. Instead, her drawings take center stage.” Matt Seneca of Death to the Universe called it Comic of the Year: “My favorite comic of the year is stripped down to the bones. As a package, not a piece of art or a story but a thing, it’s like a challenge.”