Pacific Northwest College of Art’s Feldman Gallery + Project Space is proud to host the West Coast premiere of Signs of Change: Social Movement Cultures 1960s to Now, opening February 4.
Signs of Change: Social Movement Cultures 1960s to Now features hundreds of posters, photographs, moving images, audio clips, and ephemera that bring to life over 40 years of activism, political protest, and campaigns for social justice. Curated by Dara Greenwald and Josh MacPhee as part of New York-based Exit Art’s Curatorial Incubator Program, this important and timely exhibition surveys the creative work of dozens of international social movements.
Organized thematically, the exhibition presents the creative outpourings of social movements, such as those for civil rights and black power in the United States; democracy in China; anti-apartheid in Africa; squatting in Europe; environmental activism and women’s rights internationally; and the global AIDS crisis, as well as uprisings and protests, such as those for indigenous control of lands; against airport construction in Japan; and for social change in France. The exhibition also explores the development of powerful counter-cultures that evolve beyond traditional politics and create distinct aesthetics, life-styles, and social organizations.
Although histories of political groups and counter-cultures have been written, and political and activist shows have been held, this exhibition is a groundbreaking attempt to chronicle the artistic and cultural production of these movements. Signs of Change offers a chance to see relatively unknown or rarely seen works, and is intended to not only provide a historical framework for contemporary activism, but also to serve as an inspiration for the present and the future
_Signs of Change: Social Movement Cultures 1960s to Now_ is an exhibition produced by Exit Art, NY, and was the inaugural project of the Curatorial Incubator Program. The program expands Exit Art’s commitment to young and emerging curators and scholars in contemporary art, by giving material, financial, and human resources to developing curatorial talent. Working with Exit Art directors and staff, fellows curate large-scale exhibition projects, learn fundraising, develop outreach and educational programs, and co-publish a catalogue. Signs of Change was presented at Exit Art from September 20 - December 6, 2008 and traveled to the Miller Gallery at Carnegie Mellon University, Pittsburgh, PA, and the Arts Center of the Capital Region (co-presented with the Department of the Arts at Rensselaer Polytechnic Institute, Troy, NY).”
Gallery hours are 9 a.m. to 9 p.m. daily.
Learn more about “_Signs of Change_”:http://www.exitart.org/site/pub/exhibition_programs/signs_of_change/index.html.
Image courtesy of Exit Art Gallery.
PNCA is saddened to announce that former PNCA Director Al Hammer has passed.
Hammer was briefly PNCA Director from July 1981 - May 1982. He abruptly decided to leave in October 1981 (just three months after he arrived), and returned to New England to become Director of the Hartford School of Art at the University of Hartford.
“Read a _Hartford Courant_ piece about Hammer”:http://www.legacy.com/obituaries/hartfordcourant/obituary.aspx?n=alfred-e-hammer&pid=134607531.
PNCA provides students a range of opportunities to be active in the world through its Global Studios program.
Follow the adventure of PNCA students in Senegal, or discover Brittany, France with PNCA Junior Brennan Broome.
Junior Brennan Broome spends Spring 2010 at Pont-Aven School of Contemporary Art in Brittany, France, as part of PNCA’s Global Studios. Join Brennan, a student in PNCA’s Intermedia department, throughout the semester as he becomes well-versed in the French language, shines through conceptual studio intensives and engages in site seminars throughout Europe.
“Follow his blog”:http://untitled.pnca.edu/blogs/blog?id=29.
Five PNCA students’ blog about Global Studios: Dakar, Senegal as they experience an intensive “urban setting” in western Africa, led by PNCA Assistant Professor Painting/Drawing, Modou Dieng. The group will engage contemporary art from Africa, along with global issues in the religions, arts, cinema, music, history, language and politics, lectures, museum and artist studio visits, and through participation in community events.
“Follow the Senegal blogs”:http://untitled.pnca.edu/blogs/blog?id=28.
Arthur Hash presented a slide lecture of his work at the MFA in Applied Craft and Design studios at the Bison Building on January 21, 2010. Hash is a jewelry designer and craftsman whose work comes from a commitment to participate in the contemporary exploration of what jewelry is and can be, while retaining the sense of elegance and beauty found in the long tradition of body adornment. His recent work has incorporated waterjet cutting and rapid prototyping to make one-off art jewelry pieces.
The MFA in Applied Craft and Design is a joint degree program offered by PNCA and Oregon College of Art and Craft.
Arthur Hash, Graduate Lecture Series
Download audio (20 MB, MP3)
The MFA in Applied Craft and Design program welcomes Po Shun Leong in a free public lecture, 6:30 p.m. Thursday, January 28 at the MFA in Applied Craft and Design Studios @ The Bison Building, 421 N.E. 10th Ave. and Glisan Street.
Leong is an artist, former architect, sculptor, and furniture maker. His highly intricate and inspiring one-of-a-kind wood boxes have been enthusiastically acquired and are in numerous museum collections. Often inspired by ancient or legendary civilizations, Leong’s work displays a flamboyant sense of shape, surprise and presentation.
The MFA in Applied Craft and Design is a joint degree program offered by PNCA and Oregon College of Art and Craft. The lecture is part of the College’s Graduate Visiting Artist Lecture series.
Learn more about “Po Shun Leong”:http://www.poshunleong.com/.
Read a “review”:http://www.woodworking.org/WC/GArchive98/3_27brittonartbox.html of the book Po Shun Leong Art Boxes.
Image courtesy of the artist.
Influential author Lewis Hyde delivers the lecture “The Gift and the Commons: Creativity and the Public Good,” at 6:30 p.m. Wednesday, February 3 at Pacific Northwest College of Art.
The Gift, Lewis Hyde’s groundbreaking study of creativity, explores the meaning of art in a market-driven society. Hyde asks questions central to the lives of artists as well as teachers and others who serve the public good: How do we discover work that satisfies beyond financial compensation? What are our norms for reciprocity and how do gifts create bonds in communities? Hyde’s current project extends these questions to the realm of the “cultural commons” – “that vast store of unowned ideas, inventions, and works of art we have inherited from the past, and that we continue to create.” As we debate “intellectual property,” cultural “piracy,” and what counts as shared “cultural literacy,” these issues take on renewed urgency.
Hyde is also the author of Trickster Makes This World, which uses a group of ancient myths to argue for the kind of disruptive intelligence all cultures need if they are to remain lively, flexible, and open to change. A MacArthur Fellow, Hyde teaches during the fall semesters at Kenyon College, where he is the Richard L. Thomas Professor of Creative Writing.
The Gift and the Commons: Creativity and the Public Good
Wednesday, February 3, 6:30 p.m.
PNCA Main Campus Building, Swigert Commons, 1241 N.W. Johnson St.
The lecture is co-presented by PNCA and “Lewis & Clark Graduate School of Education and Counseling Center for Community Engagement”:http://www.lclark.edu/events/info/?id=3351. For more information on this event, visit the “PNCA web calendar”:http://www.pnca.edu/exposure/calendar.php?event_id=1364&list_type=2&cat=1&year=2010.
And don’t miss a second lecture by Hyde at Lewis & Clark College:
The Gift and the Commons: Creativity and the Public Good with Lewis Hyde
Thursday, February 4, 4 p.m.
Lewis & Clark College, Templeton Campus Center, Council Chambers
Read a “New York Times profile”:http://www.nytimes.com/2008/11/16/magazine/16hyde-t.html?scp=1&sq=Lewis%20Hyde&st=cse of Lewis Hyde.
Read the New York Times article ““Advantage Google””:http://www.nytimes.com/2009/10/04/books/review/Hyde-t.html?_r=1&scp=1&sq=Lewis%20Hyde&st=cse by Hyde.
The MFA in Applied Craft and Design program welcomes Arthur Hash in a free public lecture at 6:30 p.m. Thursday, January 21 in the MFA in Applied Craft and Design Studios @ The Bison Building, 421 N.E. 10th Ave. and Glisan Street.
Arthur Hash is a jewelry designer and craftsman whose work comes from a commitment to participate in the contemporary exploration of what jewelry is and can be, while retaining the sense of elegance and beauty found in the long tradition of body adornment. His recent work has incorporated waterjet cutting and rapid prototyping to make one-off art jewelry pieces.
The lecture is the first spring 2010 lecture of the PNCA Graduate Visiting Artist Lecture series.
The MFA in Applied Craft and Design is a joint degree program offered by PNCA and Oregon College of Art and Craft.
“Learn more about Arthur Hash”:http://www.arthurhash.com/.
View images of Hash’s work at “Design Boom”:http://www.designboom.com/weblog/cat/8/view/5130/arthur-hash.html.
PNCA welcomes new students during New Student Orientation, Friday, January 15.
Orientation is for all new students (transfer students and first-time freshman) and will be a day of important information as well as a little fun.
New Student Orientation
Friday, January 15, 9:00 a.m. – 4:30 p.m.
Main Campus Building, 1241 N.W. Johnson St.
E-mail Rachael Allen in Student Services at email@example.com for more information.
As we move into 2010, PNCA continues to contribute to the civic and cultural landscape of the Pacific Northwest as the epicenter of Portland’s creative community — and as a place of distinction among the best schools of art and design in the nation.
The past year was significant. Not only did 2009 mark the College’s centennial, 100 Years of Art + Design, but it also set a precedent for growth and change at the College.
“_Portland Architecture_”:http://chatterbox.typepad.com/portlandarchitecture/ blog by Brian Libby named the rehabilitation of PNCA’s Main Campus Building by Holst Architecture “one of the top rehab projects of the 1990s.”
PORT Editor Jeff Jahn discusses the top PORT stories of 2009, including a piece on PNCA faculty member Stephen Slappe, an interview with Okwui Enwezor (keynote speaker of the FATE Conference, cosponsored by PNCA in April 2009) and faculty member and former MFA in Visual Studies Chair MK Guth’s interview with Laura Fritz.
“Read the full article”:http://www.portlandart.net/archives/2009/12/2009_on_port.html.
The Oregonian published a profile on PNCA President Tom Manley.
PNCA launched “_Untitled_”:http://untitled.pnca.edu, an online magazine that illuminates what it means to live a life of sustained creative practice by publishing written and multimedia interviews, artwork, and articles on art and design thinking.
PNCA celebrated its Centennial with a range of public programs, and exhibitions of PNCA artists’ work at over 15 Portland galleries in the fall.
PNCA and the Portland art community celebrated the lives of influential artists who passed including “Douglas Lynch”:http://www.pnca.edu/exposure/news/606/pnca-remembers-faculty-emeriti-douglas-lynch and “Manuel Izquierdo ’51”:http://www.pnca.edu/exposure/news/649/remembering-pnca-faculty-emeritus-manuel-izquierdo.
The Portland Art Museum celebrated the College’s centennial with the exhibition PNCA at 100.
Read the “_Oregonian_”:http://www.oregonlive.com/O/index.ssf/2009/06/pnca_at_100_celebrates_arts_sc.html review.
Representatives from PNCA and more than 30 leading art colleges from across the country converge Sunday, January 10 at the College for National Portfolio Day.
The event begins at 10 a.m. with campus tours and financial aid information sessions, followed by portfolio reviews. Representatives will answer admissions questions and review portfolios of prospective undergraduate students. The event runs until 4 p.m.
National Portfolio Day (NPD) is designed to help further the artistic development of young artists by bringing together experienced college representatives to review artwork and offer feedback, according to the NPD Web site.
Participating colleges include: Academy of Art University, Alberta College of Art & Design, Art Center College of Design, CalArts (California Institute of the Arts), California College of the Arts, Corcoran College of Art and Design, Cornish College of the Arts, Emily Carr University of Art & Design, FIDM/The Fashion Institute of Design and Merchandising, Kendall College of Art and Design of Ferris State University, Laguna College of Art + Design, Maine College of Art, Maryland Institute College of Art, Milwaukee Institute of Art & Design, Minneapolis College of Art and Design
Oregon College of Art and Craft, Otis College of Art and Design, Pacific Northwest College of Art, Parsons Paris School of Art & Design, Parsons The New School for Design, Pratt at Munson-Williams-Proctor, Rhode Island School of Design, Rocky Mountain College of Art + Design, San Francisco Art Institute, School of the Art Institute of Chicago, School of the Museum of Fine Arts, Boston, School of Visual Arts, The Cooper Union School of Art, The University of the Arts, Washington University in Saint Louis.
For more information, contact PNCA’s Admissions office: 503-821-8972.
All Portfolio Day events are free, open to the public and do not require pre-registration.
Learn more about “National Portfolio Day”:http://www.portfolioday.net/component/option,com_frontpage/Itemid,1/.
International Writing Program (IWP) Visiting Writer Lijia Zhang gave a talk in Wei Hsueh’s class on October 7, 2009. She discussed China’s past and present, her work and Chinese society.
Lijia Zhang (writer, China) is a factory-worker-turned journalist, TV producer and lecturer. Her memoir about working at a missile factory, Socialism Is Great! (2008) was published in the US, Australia, and India, and is being translated into a number of languages. Other publications include China Remembers, an oral history of the PRC, and Western Images of Chairman Mao, presently banned in China. Her articles have appeared in prominent Asian, European and American magazines and newspapers, and she is a frequent commentator for the BBC, CNN and NPR. Zhang participates courtesy of the Bureau of Educational and Cultural Exchange at the US Department of State.
Visiting Writer Talk: Lijia Zhang
October 7, 2009
“Download audio (20 MB, MP3)”:http://homeroom.pnca.edu/download/595434
PNCA Faculty member and writer Barry Sanders delivers the 2009 Convocation address, “Ha He Hi Ho Hu: A Very Brief History of Laughter.” Sanders is the author most recently of _The Green Zone: The Environmental Costs of Militarism_. This lecture took place in Swigert Commons September 1, 2009.
“Download audio (15 MB, MP3)”:http://homeroom.pnca.edu/download/595424
PNCA recently hosted a discussion, “Creating a Killer Portfolio” with freelance designer and blogger Nubby Twiglet and Kelly Coller of “Office PDX”:http://www.officepdx.com/.
Twiglet is a freelance graphic designer “that is passionate about blogging and marketing,” according to her Web site.
Read an “excerpt”:http://nubbytwiglet.com/blog/2009/12/24/creating-a-killer-portfolio-discussion/ from the discussion.
Learn more about “Nubby”:http://nubbytwiglet.com/fall2007/about/about.html.
A range of artists affiliated with Pacific Northwest College of Art (PNCA), including two alumni, will be part of the 2010 Whitney Biennial, a survey of American art held in New York, February 25 through May 30, 2010.
PNCA alumna and painter Julia Fish ’76 and alumnus Alex Hubbard ’00 were chosen, in addition to MFA in Applied Craft and Design mentors Jessica Jackson Hutchins and Storm Tharp, and MFA in Visual Studies visiting artists Kate Gilmore and Martin Kersels.
Fish is a native Oregonian who is currently a Professor of Studio Arts in the School of Art and Design, University of Illinois at Chicago. She received a BFA degree from PNCA in 1976 and an MFA degree from Maryland Institute, College of Art in 1982. Her paintings and drawings examine everyday surroundings like living rooms and entryways through simple, elegant abstraction. Read the essay ““Painting as House and Home””:http://www.juliafish.com/start02.html by Los Angeles-based lecturer, critic, and independent curator Terry R. Myers to learn more about Fish’s work.
A performance-based video artist and painter, Hubbard received his BFA from PNCA in 2000, and participated in the Whitney Museum of American Art Independent Study Program from 2002 to 2003. His work has been included in group exhibitions at institutions including the Palais de Tokyo, Paris; the Centre Culturel Suisse, Paris; and the Whitney Museum of American Art at Altria, New York. He lives and works in Brooklyn, New York.
Hutchins is a sculptor who lives and works in Portland and New York. She serves as a mentor for students of the MFA in Applied Craft and Design, a joint degree program offered by PNCA and “Oregon College of Art and Craft”:http://www.ocac.edu. She is represented by “Derek Eller Gallery”:http://www.derekeller.com/jessicahutchins.html and “Small A Projects”:http://www.smallaprojects.com/artists/jessicahutchins/main.html, both in New York.
An Oregon native, Tharp also serves as a mentor in the MFA in Applied Craft and Design program. Though labeled a painter and sculptor, Tharp is a versatile artist who has also worked for Portland-based ad agency Weiden+Kennedy. He is represented by “PDX Contemporary Gallery”:http://www.pdxcontemporaryart.com/tharp in Portland.
As part of its Graduate Visiting Artist Lecture Series, the MFA in Visual Studies program recently brought artists “Kate Gilmore”:http://www.kategilmore.com/index.html and Martin Kersels — also both 2010 Whitney Biennial picks — for lectures in October 2009. Kersels is represented by “ACME”:http://www.acmelosangeles.com/artists/martin-kersels/ in Los Angeles.
The 2010 Whitney Biennial is curated by Francesco Bonami and Gary Carrion-Murayari. For more information on the 2010 Whitney Biennial, read The New York Times article ““Reality Leaves a Fingerprint on the Biennial””:http://www.nytimes.com/2009/12/11/arts/design/11vogel.html?_r=2&scp=2&sq=whitney%20biennial&st=cse or visit the “Whitney”:http://www.whitney.org/Exhibitions/2010Biennial.
Image: work by Julia Fish ’76
Please join us in celebrating a hundred years of creativity at PNCA by making a year-end gift to the College this holiday season. You can change a life today by making a gift for scholarships. More than 80% of PNCA students receive scholarship assistance.
You may also choose to support our dynamic exhibition and “public programs series”:http://www.pnca.edu/exposure/news/?c=programming, which is free and open to the public. Your contribution will help PNCA bring renowned artists and writers to Portland, and enrich our students’ experience.
And there is also our new partnership with the “Museum of Contemporary Craft”:http://www.museumofcontemporarycraft.org/, which preserves a nationally acclaimed craft collection for the community, and offers dynamic exhibitions and educational opportunities for students, faculty and visitors of all ages.
For more information or to make an online donation, visit PNCA’s “Giving webpage”:http://www.pnca.edu/about/giving/ or call 503-821-8886.
And don’t forget, you can match your donation to PNCA with a contribution to the “Oregon Cultural Trust”:http://www.culturaltrust.org/ and receive a credit on your Oregon tax bill!
A segment of “Transference,” a music piece by Portland-based glass artist Andy Paiko and musician Ethan Rose at Museum of Contemporary Craft, recently aired on Portland classical radio station All Classical (89.9 FM). “Listen”:http://www.museumofcontemporarycraft.org/media/2009_11_transference_allclassical.mp3.
Learn more about ““Transference””:http://www.museumofcontemporarycraft.org/exhibitions/index.php?f=2009_11_transference
Los Angeles-based artist Martin Kersels has long used art as a forum for wrestling with the limitations and possibilities of being a fully embodied, sentient and emotional being. He employs a range of media, from sculpture and photography to video and performance. He has worked on staff at the Los Angeles County Museum of Art, the UCLA Art Department, and currently serves as a faculty member and co-director of the art program at the California Institute of the Arts. Kersels was recently selected for the 2010 Whitney Biennial.
This PNCA MFA Visual Studies Lecture took place at Museum of Contemporary Craft, Portland, Oregon on October 8, 2009.
“Listen to an audio podcast of Martin Kersels’ lecture.”:http://homeroom.pnca.edu/download/594761
“Watch an excerpt of Martin Kersels’ lecture on YouTube”:http://www.youtube.com/PNCAVideo#p/u/3/ov7XIba2ygM
Alix Pearlstein uses everyday objects, pop cultural artifacts, and art historical references to create narrative meaning through association. Characterized by deadpan humor and a minimalist aesthetic, Pearlstein’s approach is direct and intimate. Her videotapes engage in wry, self-conscious renderings of icons of style, gender, media, and art historical Modernism.
Her works have been included in exhibitions at the Biennale de Lyon, France; Institute of Contemporary Art, London; Kunstverein, Cologne; S.M.A.K., Ghent, and The Museum of Modern Art, New York. Solo exhibitions of her work have been featured at The Kitchen, NYC; Museum of Contemporary Art, Chicago; Postmasters Gallery and Artemis Greenberg Van Doren Gallery, New York; and The Grossman Gallery, School of The Museum of Fine Arts, Boston.
This MFA Visual Studies Visiting Artist Lecture took place at Pacific Northwest College of Art, Portland, Oregon. Introduction by Arnold Kemp, MFA Visual Studies Chair. Pearlstein’s visit was made possible through the MFA Visual Studies Graduate Visiting Artist Lecture Series, the Caldera Residency and Cyan/PDX.
“Listen to a podcast of Alix Pearlstein’s lecture”:http://homeroom.pnca.edu/download/594712
Kate Gilmore received her MFA (2002) at the School of Visual Arts, New York and BA (1997) at Bates College, Lewiston, Maine. She currently has a solo exhibition at Franco Soffiantino Arte Contemporanea, Turin, Italy, and last year, at the Institute of Contemporary Art, Philadelphia, University of North Texas Art Gallery, Denton, Texas, Artspace San Antonio, San Antonio, Texas, Maisterravalbuena Galeria, Madrid, Spain, and CESAC Centro Sperimentale Per Le Arti Contemporanee, Caraglio, Italy. She is represented by Smith-Stewart Gallery in New York. Gilmore was recently selected for the 2010 Whitney Biennial.
This MFA Visual Studies Graduate Visiting Artist Lecture took place at Pacific Northwest College of Art, Portland, Oregon on October 15, 2009. Introduction by Arnold Kemp, MFA Visual Studies Chair.
Gilmore’s visit was made possible through the MFA Visual Studies Graduate Visiting Artist Lecture Series, the Caldera Residency and Cyan/PDX.
“Listen to a podcast of Kate Gilmore’s lecture.”:http://homeroom.pnca.edu/download/594617