The MFA in Applied Craft and Design program welcomes Arthur Hash in a free public lecture at 6:30 p.m. Thursday, January 21 in the MFA in Applied Craft and Design Studios @ The Bison Building, 421 N.E. 10th Ave. and Glisan Street.
Arthur Hash is a jewelry designer and craftsman whose work comes from a commitment to participate in the contemporary exploration of what jewelry is and can be, while retaining the sense of elegance and beauty found in the long tradition of body adornment. His recent work has incorporated waterjet cutting and rapid prototyping to make one-off art jewelry pieces.
The lecture is the first spring 2010 lecture of the PNCA Graduate Visiting Artist Lecture series.
The MFA in Applied Craft and Design is a joint degree program offered by PNCA and Oregon College of Art and Craft.
“Learn more about Arthur Hash”:http://www.arthurhash.com/.
View images of Hash’s work at “Design Boom”:http://www.designboom.com/weblog/cat/8/view/5130/arthur-hash.html.
PNCA welcomes new students during New Student Orientation, Friday, January 15.
Orientation is for all new students (transfer students and first-time freshman) and will be a day of important information as well as a little fun.
New Student Orientation
Friday, January 15, 9:00 a.m. – 4:30 p.m.
Main Campus Building, 1241 N.W. Johnson St.
E-mail Rachael Allen in Student Services at firstname.lastname@example.org for more information.
As we move into 2010, PNCA continues to contribute to the civic and cultural landscape of the Pacific Northwest as the epicenter of Portland’s creative community — and as a place of distinction among the best schools of art and design in the nation.
The past year was significant. Not only did 2009 mark the College’s centennial, 100 Years of Art + Design, but it also set a precedent for growth and change at the College.
“_Portland Architecture_”:http://chatterbox.typepad.com/portlandarchitecture/ blog by Brian Libby named the rehabilitation of PNCA’s Main Campus Building by Holst Architecture “one of the top rehab projects of the 1990s.”
PORT Editor Jeff Jahn discusses the top PORT stories of 2009, including a piece on PNCA faculty member Stephen Slappe, an interview with Okwui Enwezor (keynote speaker of the FATE Conference, cosponsored by PNCA in April 2009) and faculty member and former MFA in Visual Studies Chair MK Guth’s interview with Laura Fritz.
“Read the full article”:http://www.portlandart.net/archives/2009/12/2009_on_port.html.
The Oregonian published a profile on PNCA President Tom Manley.
PNCA launched “_Untitled_”:http://untitled.pnca.edu, an online magazine that illuminates what it means to live a life of sustained creative practice by publishing written and multimedia interviews, artwork, and articles on art and design thinking.
PNCA celebrated its Centennial with a range of public programs, and exhibitions of PNCA artists’ work at over 15 Portland galleries in the fall.
PNCA and the Portland art community celebrated the lives of influential artists who passed including “Douglas Lynch”:http://www.pnca.edu/exposure/news/606/pnca-remembers-faculty-emeriti-douglas-lynch and “Manuel Izquierdo ’51”:http://www.pnca.edu/exposure/news/649/remembering-pnca-faculty-emeritus-manuel-izquierdo.
The Portland Art Museum celebrated the College’s centennial with the exhibition PNCA at 100.
Read the “_Oregonian_”:http://www.oregonlive.com/O/index.ssf/2009/06/pnca_at_100_celebrates_arts_sc.html review.
Representatives from PNCA and more than 30 leading art colleges from across the country converge Sunday, January 10 at the College for National Portfolio Day.
The event begins at 10 a.m. with campus tours and financial aid information sessions, followed by portfolio reviews. Representatives will answer admissions questions and review portfolios of prospective undergraduate students. The event runs until 4 p.m.
National Portfolio Day (NPD) is designed to help further the artistic development of young artists by bringing together experienced college representatives to review artwork and offer feedback, according to the NPD Web site.
Participating colleges include: Academy of Art University, Alberta College of Art & Design, Art Center College of Design, CalArts (California Institute of the Arts), California College of the Arts, Corcoran College of Art and Design, Cornish College of the Arts, Emily Carr University of Art & Design, FIDM/The Fashion Institute of Design and Merchandising, Kendall College of Art and Design of Ferris State University, Laguna College of Art + Design, Maine College of Art, Maryland Institute College of Art, Milwaukee Institute of Art & Design, Minneapolis College of Art and Design
Oregon College of Art and Craft, Otis College of Art and Design, Pacific Northwest College of Art, Parsons Paris School of Art & Design, Parsons The New School for Design, Pratt at Munson-Williams-Proctor, Rhode Island School of Design, Rocky Mountain College of Art + Design, San Francisco Art Institute, School of the Art Institute of Chicago, School of the Museum of Fine Arts, Boston, School of Visual Arts, The Cooper Union School of Art, The University of the Arts, Washington University in Saint Louis.
For more information, contact PNCA’s Admissions office: 503-821-8972.
All Portfolio Day events are free, open to the public and do not require pre-registration.
Learn more about “National Portfolio Day”:http://www.portfolioday.net/component/option,com_frontpage/Itemid,1/.
International Writing Program (IWP) Visiting Writer Lijia Zhang gave a talk in Wei Hsueh’s class on October 7, 2009. She discussed China’s past and present, her work and Chinese society.
Lijia Zhang (writer, China) is a factory-worker-turned journalist, TV producer and lecturer. Her memoir about working at a missile factory, Socialism Is Great! (2008) was published in the US, Australia, and India, and is being translated into a number of languages. Other publications include China Remembers, an oral history of the PRC, and Western Images of Chairman Mao, presently banned in China. Her articles have appeared in prominent Asian, European and American magazines and newspapers, and she is a frequent commentator for the BBC, CNN and NPR. Zhang participates courtesy of the Bureau of Educational and Cultural Exchange at the US Department of State.
Visiting Writer Talk: Lijia Zhang
October 7, 2009
“Download audio (20 MB, MP3)”:http://homeroom.pnca.edu/download/595434
PNCA Faculty member and writer Barry Sanders delivers the 2009 Convocation address, “Ha He Hi Ho Hu: A Very Brief History of Laughter.” Sanders is the author most recently of _The Green Zone: The Environmental Costs of Militarism_. This lecture took place in Swigert Commons September 1, 2009.
“Download audio (15 MB, MP3)”:http://homeroom.pnca.edu/download/595424
PNCA recently hosted a discussion, “Creating a Killer Portfolio” with freelance designer and blogger Nubby Twiglet and Kelly Coller of “Office PDX”:http://www.officepdx.com/.
Twiglet is a freelance graphic designer “that is passionate about blogging and marketing,” according to her Web site.
Read an “excerpt”:http://nubbytwiglet.com/blog/2009/12/24/creating-a-killer-portfolio-discussion/ from the discussion.
Learn more about “Nubby”:http://nubbytwiglet.com/fall2007/about/about.html.
A range of artists affiliated with Pacific Northwest College of Art (PNCA), including two alumni, will be part of the 2010 Whitney Biennial, a survey of American art held in New York, February 25 through May 30, 2010.
PNCA alumna and painter Julia Fish ’76 and alumnus Alex Hubbard ’00 were chosen, in addition to MFA in Applied Craft and Design mentors Jessica Jackson Hutchins and Storm Tharp, and MFA in Visual Studies visiting artists Kate Gilmore and Martin Kersels.
Fish is a native Oregonian who is currently a Professor of Studio Arts in the School of Art and Design, University of Illinois at Chicago. She received a BFA degree from PNCA in 1976 and an MFA degree from Maryland Institute, College of Art in 1982. Her paintings and drawings examine everyday surroundings like living rooms and entryways through simple, elegant abstraction. Read the essay ““Painting as House and Home””:http://www.juliafish.com/start02.html by Los Angeles-based lecturer, critic, and independent curator Terry R. Myers to learn more about Fish’s work.
A performance-based video artist and painter, Hubbard received his BFA from PNCA in 2000, and participated in the Whitney Museum of American Art Independent Study Program from 2002 to 2003. His work has been included in group exhibitions at institutions including the Palais de Tokyo, Paris; the Centre Culturel Suisse, Paris; and the Whitney Museum of American Art at Altria, New York. He lives and works in Brooklyn, New York.
Hutchins is a sculptor who lives and works in Portland and New York. She serves as a mentor for students of the MFA in Applied Craft and Design, a joint degree program offered by PNCA and “Oregon College of Art and Craft”:http://www.ocac.edu. She is represented by “Derek Eller Gallery”:http://www.derekeller.com/jessicahutchins.html and “Small A Projects”:http://www.smallaprojects.com/artists/jessicahutchins/main.html, both in New York.
An Oregon native, Tharp also serves as a mentor in the MFA in Applied Craft and Design program. Though labeled a painter and sculptor, Tharp is a versatile artist who has also worked for Portland-based ad agency Weiden+Kennedy. He is represented by “PDX Contemporary Gallery”:http://www.pdxcontemporaryart.com/tharp in Portland.
As part of its Graduate Visiting Artist Lecture Series, the MFA in Visual Studies program recently brought artists “Kate Gilmore”:http://www.kategilmore.com/index.html and Martin Kersels — also both 2010 Whitney Biennial picks — for lectures in October 2009. Kersels is represented by “ACME”:http://www.acmelosangeles.com/artists/martin-kersels/ in Los Angeles.
The 2010 Whitney Biennial is curated by Francesco Bonami and Gary Carrion-Murayari. For more information on the 2010 Whitney Biennial, read The New York Times article ““Reality Leaves a Fingerprint on the Biennial””:http://www.nytimes.com/2009/12/11/arts/design/11vogel.html?_r=2&scp=2&sq=whitney%20biennial&st=cse or visit the “Whitney”:http://www.whitney.org/Exhibitions/2010Biennial.
Image: work by Julia Fish ’76
Please join us in celebrating a hundred years of creativity at PNCA by making a year-end gift to the College this holiday season. You can change a life today by making a gift for scholarships. More than 80% of PNCA students receive scholarship assistance.
You may also choose to support our dynamic exhibition and “public programs series”:http://www.pnca.edu/exposure/news/?c=programming, which is free and open to the public. Your contribution will help PNCA bring renowned artists and writers to Portland, and enrich our students’ experience.
And there is also our new partnership with the “Museum of Contemporary Craft”:http://www.museumofcontemporarycraft.org/, which preserves a nationally acclaimed craft collection for the community, and offers dynamic exhibitions and educational opportunities for students, faculty and visitors of all ages.
For more information or to make an online donation, visit PNCA’s “Giving webpage”:http://www.pnca.edu/about/giving/ or call 503-821-8886.
And don’t forget, you can match your donation to PNCA with a contribution to the “Oregon Cultural Trust”:http://www.culturaltrust.org/ and receive a credit on your Oregon tax bill!
A segment of “Transference,” a music piece by Portland-based glass artist Andy Paiko and musician Ethan Rose at Museum of Contemporary Craft, recently aired on Portland classical radio station All Classical (89.9 FM). “Listen”:http://www.museumofcontemporarycraft.org/media/2009_11_transference_allclassical.mp3.
Learn more about ““Transference””:http://www.museumofcontemporarycraft.org/exhibitions/index.php?f=2009_11_transference
Los Angeles-based artist Martin Kersels has long used art as a forum for wrestling with the limitations and possibilities of being a fully embodied, sentient and emotional being. He employs a range of media, from sculpture and photography to video and performance. He has worked on staff at the Los Angeles County Museum of Art, the UCLA Art Department, and currently serves as a faculty member and co-director of the art program at the California Institute of the Arts. Kersels was recently selected for the 2010 Whitney Biennial.
This PNCA MFA Visual Studies Lecture took place at Museum of Contemporary Craft, Portland, Oregon on October 8, 2009.
“Listen to an audio podcast of Martin Kersels’ lecture.”:http://homeroom.pnca.edu/download/594761
“Watch an excerpt of Martin Kersels’ lecture on YouTube”:http://www.youtube.com/PNCAVideo#p/u/3/ov7XIba2ygM
Alix Pearlstein uses everyday objects, pop cultural artifacts, and art historical references to create narrative meaning through association. Characterized by deadpan humor and a minimalist aesthetic, Pearlstein’s approach is direct and intimate. Her videotapes engage in wry, self-conscious renderings of icons of style, gender, media, and art historical Modernism.
Her works have been included in exhibitions at the Biennale de Lyon, France; Institute of Contemporary Art, London; Kunstverein, Cologne; S.M.A.K., Ghent, and The Museum of Modern Art, New York. Solo exhibitions of her work have been featured at The Kitchen, NYC; Museum of Contemporary Art, Chicago; Postmasters Gallery and Artemis Greenberg Van Doren Gallery, New York; and The Grossman Gallery, School of The Museum of Fine Arts, Boston.
This MFA Visual Studies Visiting Artist Lecture took place at Pacific Northwest College of Art, Portland, Oregon. Introduction by Arnold Kemp, MFA Visual Studies Chair. Pearlstein’s visit was made possible through the MFA Visual Studies Graduate Visiting Artist Lecture Series, the Caldera Residency and Cyan/PDX.
“Listen to a podcast of Alix Pearlstein’s lecture”:http://homeroom.pnca.edu/download/594712
Kate Gilmore received her MFA (2002) at the School of Visual Arts, New York and BA (1997) at Bates College, Lewiston, Maine. She currently has a solo exhibition at Franco Soffiantino Arte Contemporanea, Turin, Italy, and last year, at the Institute of Contemporary Art, Philadelphia, University of North Texas Art Gallery, Denton, Texas, Artspace San Antonio, San Antonio, Texas, Maisterravalbuena Galeria, Madrid, Spain, and CESAC Centro Sperimentale Per Le Arti Contemporanee, Caraglio, Italy. She is represented by Smith-Stewart Gallery in New York. Gilmore was recently selected for the 2010 Whitney Biennial.
This MFA Visual Studies Graduate Visiting Artist Lecture took place at Pacific Northwest College of Art, Portland, Oregon on October 15, 2009. Introduction by Arnold Kemp, MFA Visual Studies Chair.
Gilmore’s visit was made possible through the MFA Visual Studies Graduate Visiting Artist Lecture Series, the Caldera Residency and Cyan/PDX.
“Listen to a podcast of Kate Gilmore’s lecture.”:http://homeroom.pnca.edu/download/594617
Laura Parnes’ videos and installations are informed by traditions and genres in both narrative film and video art, and seek to blur the lines between conventions of story telling and experimentation. Her most recent work, “Blood and Guts in High School” was named in the Village Voice as a top-10 experimental film/video for 2005. She has taught at New York University and The New School. She joined Bennington faculty in fall of 2004. She has screened and exhibited her work widely in the US and internationally.
This PNCA Graduate Visiting Artist Lecture took place at the Museum of Contemporary Craft, Portland, Oregon on December 10, 2009.
“Listen to a podcast of Laura Parnes’ lecture.”:http://homeroom.pnca.edu/download/594322
PNCA is saddened to announce the passing of philanthropist and community supporter Maybelle C. Macdonald, 93, who passed away December 10th, 2009 at her home in Portland, Oregon.
Mrs. Macdonald created the Maybelle Clark Macdonald Fund in 1970, and PNCA is honored to be among the organizations the fund supports. In April 2008, the Fund awarded a $1 million challenge grant to the College in support of the Centennial Campaign for PNCA+FIVE. This generous gift helped to make possible the purchase of the main campus building in October 2008. The grant has also been instrumental in enabling PNCA to attract additional support for its first comprehensive campaign.
Mrs. Macdonald was known throughout the community as a woman of great compassion and caring who created the fund “to relieve the misfortune and promote the well being of mankind”. Now among Oregon’s largest foundations, the fund will continue to support the good works of Oregonians in perpetuity in her honor.
“Learn more about Mrs. Macdonald”:http://www.mcmfund.org/.
Read the “Oregonian article”:http://www.oregonlive.com/portland/index.ssf/2009/12/philanthropist_maybelle_clark.html.
Fall Focus presents a diverse program of extracurricular events for the entire PNCA community, including lectures, demonstrations, workshops and films. Also during Fall Focus, seniors present Thesis Proposals and Thesis Orals to the students and faculty.
In a short podcast, Finn Grey ’10 speaks with Senior Thesis Chair Linda Kliewer and senior thesis candidates Sarah Johnson ’09, Sarai Black ’10, David Clark ’10, Lahaina Alcantara ’10 and Megan Holmes ’10 about Fall Focus, November 30-December 4, 2009. Originally broadcast on “PNCA Radio”:http://radio.pnca.edu.
“Listen to the Fall Focus Week 2009 podcast.”:http://homeroom.pnca.edu/download/593240
Pacific Northwest College of Art hosted “Children’s Creativity: Why the Visual Arts Matter”:http://www.pnca.edu/artsmatter, November 11-14, 2009. This four day symposium focused on the relevance of artistic processes of inquiry, reflection, and expression to the cognitive, emotional, and social development of children. PNCA + FIVE Idea Studios.
Dr. Ellen Handler Spitz, “Reflections on Space and Childhood”
Download audio (30 MB, MP3)
Dr. Lois Hetland, “Art for Our Sake”
Download audio (30 MB, MP3)
PNCA President Tom Manley, Dr. Lois Hetland and Dr. Ellen Handler Spitz speak about creativity and education on PNCA Radio.
Download audio (20 MB, MP3)
Support local makers and Museum of Contemporary Craft—purchase handmade works of art during the Museum’s Holiday Gallery Feature, Informing Tradition: Functional Ceramics from Seven Oregon Makers.
Informing Tradition features work for sale by ceramic artists of varied generations and influences. The full inventory is now available for online browsing—buy holiday gifts now from wherever you are. Questions? Call 1.877.546.2655 to speak to a member of the Gallery staff.
As part of the holiday gallery feature, don’t miss Meet the Artists: Informing Tradition, Saturday, December 12 from 2-3 p.m. Artists Victoria Christen, Kowkie Durst, Sam Morgan, and Wally Schwab will discuss their work.
Informing Tradition featured artists include: Richey Bellinger (Portland), Barb Campbell (Corvallis), Victoria Christen (Portland), Kowkie Durst (Portland), Sam Morgan (Portland), David Piper (Portland), and Wally Schwab (Aloha).
*Meet the Artists: Informing Tradition*
Saturday, December 12, 2–3 p.m.
The Gallery at Museum of Contemporary Craft, 724 N.W. Davis St.
*Holiday Gallery Sales Feature*
Informing Tradition: Functional Ceramics From Seven Oregon Makers
Through January 9, 2010
The Gallery at Museum of Contemporary Craft, 724 N.W. Davis St.
Both events are free and open to the public
Museum of Contemporary Craft, in partnership with Pacific Northwest College of Art, presents a Curator Walkthrough at noon Tuesday, December 8 at the Museum, 724 N.W. Davis St.
Join Museum Curator Namita Gupta Wiggers for a behind-the-scenes look at the three exhibitions currently on view—Transference, Elusive Matter, and The Academy is Full of Craft.
The MFA in Visual Studies program presents artist Laura Parnes in a lecture, Thursday December 10 at 6:30 p.m. at the Museum of Contemporary Craft, 724 N.W. Davis St., part of the College’s Graduate Visiting Artist Lecture Series.
Laura Parnes will discuss her work, videos and installations that are informed by traditions and genres in both narrative film and video art that seek to blur the lines between conventions of story telling and experimentation.
Her most recent work, “Blood and Guts in High School,” an adaptation of Kathy Acker’s 1984 novel of the same name, made the top-10 list of experimental film/videos in the Village Voice for 2005. _The New York Times_ stated of the film, “Filmed on bare-bones sets put together in gallery spaces, the video is a model of how to bring off an ambitions project with scant resources, and also of how to respect source material while transforming it.” Parnes has taught at New York University and The New School and joined Bennington faculty in fall of 2004. Her work has screened and exhibited widely in the US and internationally.
Learn more about “Laura Parnes”:www.lauraparnes.com/.
*MFA in Visual Studies Lecture: Laura Parnes*
Thursday, December 10, 6:30 p.m.
The Lab at Museum of Contemporary Craft, 724 N.W. Davis St.
_Free and open to the public_