Oregon College of Art Craft and Pacific Northwest College of Art Announce JP Reuer as Chair of the J
FOR IMMEDIATE RELEASE:
January 28, 2009
Oregon College of Art Craft and Pacific Northwest College of Art Announce JP Reuer
as Chair of the Joint MFA in Applied Craft and Design
PORTLAND, OR – Oregon College of Art and Craft (OCAC) and Pacific Northwest College of Art (PNCA) announce JP Reuer as the Chair of the new joint MFA in Applied Craft and Design program.
A former Assistant Professor at Virginia Commonwealth University, Reuer brings a breadth of experience in design and arts education to the program. Reuer is also a LEED accredited architect and licensed general contractor, founder of JP Reuer, Architect, PA and Reuer Associates Inc., and a founding member of DesignBox, a collaborative group of creative talent from a variety of design disciplines. With a Bachelor’s degree in Environmental Design and a Master’s of Architecture in Affordable Housing, Reuer continues to explore socially purposed design.
“JP Reuer brings an articulated insight to the sphere of craft and design. Through his knowledge as a practitioner, augmented by his academic experience, JP understands the inherent strength of pairing capabilities of making with the sensibilities of design,” said Karl Burkheimer, OCAC Wood Department Head and search committee member.
Portland’s two oldest art colleges, OCAC and PNCA, have partnered on a joint MFA degree that fosters a new, forward-thinking model of art and design education. The creation of the joint MFA bolsters the cooperative and innovative efforts of these two growing institutions by creating a program that offers students opportunities for creative work that fuses craft, design and environmentalism within a rich academic and creative practice.
“Combining intellectual, fiscal and physical resources, institutions can create new and extraordinary educational opportunities that otherwise exceed the capacity of any one institution,” said Greg Ware, PNCA Provost. “This collaboration with OCAC is the first of such programs, and the search committee knew it had to find an individual with the vision, leadership and dedication to launch an advanced program that could set a new paradigm for creative practice education. I believe the committee found such a person in JP Reuer, and he will not only be a wonderful addition to our faculty, but will expand OCAC’s and PNCA’s outreach to, and interaction with, Portland’s art and design communities.”
Reuer also has strong connections to local, national and international creative communities and practices and companies, and the desire to create an internationally competitive program — he previously served as the director of the Tasmeem international design conference in Qatar.
“I view the act of making not simply as a means to an end, but as an integral part of designing,” said Reuer. “Enhancing the relationship between design and making is something that in my experience is not only mutually beneficial to design and craft, but also supports and gives character to local community.”
The new joint MFA in Applied Craft and Design celebrates process and tradition, innovation and cultural engagement and is the culmination of feasibility studies by an MFA Task Force consisting of OCAC and PNCA faculty members. The OCAC/PNCA MFA program will accept 15 students in the 2009-2010 school year. Application deadline is March 15, 2009.
Reuer will officially join the program full-time in February 2009. The inaugural joint MFA in Applied Craft and Design class starts in Fall 2009.
Established in 1907, Oregon College of Art and Craft has become a principal center for education, dialogue, and the mastery of contemporary craft for future generations of artists. The College offers a four-year BFA in Crafts, a three-year Certificate Program, a one-year Post-baccalaureate Certificate Program, and year round studio classes and workshops for adults and children of all ages and skill levels. As the only accredited private art college west of the Mississippi to offer a BFA in Crafts, OCAC is a superb laboratory for the invention of modern craft. “www.ocac.edu”:http://www.ocac.edu
Since its founding in 1909, Pacific Northwest College of Art (PNCA) has become a leader in innovative educational programming that connects students to a global perspective in the visual arts. The College offers Bachelor of Fine Arts degrees in Communication Design, Illustration, Intermedia, General Fine Arts, Painting, Photography, Printmaking and Sculpture. In addition, the College offers a mentor-based MFA in Visual Studies and a new joint MFA in Applied Craft and Design with Oregon College of Art and Craft. PNCA has the oldest continuously running community arts education program in the Northwest. From its base in the heart of the Pearl district, PNCA is actively involved in Portland’s cultural programming through exhibitions and a vibrant public program of lectures and visiting artists from around the world. In conjunction with its Ford Institute for Visual Education (FIVE), the College is pleased to present PNCA + FIVE Idea Studios, which bring internationally renowned artists such as James Turrell, philosopher Jacques Rancière, art critic Saul Ostrow, and theorist Tom Zummer. Visit on-line for a full events calendar and to learn more about PNCA’s BFA degree, MFA in Visual Studies or Continuing Education courses for all ages and skill levels. “www.pnca.edu”:http://www.pnca.edu.
Starting January 31, Tacoma Art Museum’s 9th Northwest Biennial will include dynamic work by a range of Pacific Northwest College of Art alumni, along with work by PNCA Faculty Victor Maldonado.
PNCA alumni featured in the show include: Michael Brophy ’85, Denzil Hurley ’75, Linda Hutchins ’88, and Susan Seubert ’92.
The Biennial considers recent developments and accomplishments by Northwest artists and runs January 31 through May 25, 2009.
To learn more, visit the “Tacoma Art Museum Web site”:http://www.tacomaartmuseum.org/page.aspx?hid=1111.
The works of former PNCA Artist-In-Residence Jenene Nagy and current PNCA Intermedia instructor Hayley Barker are featured in the December/January edition of “New American Paintings”:http://www.newamericanpaintings.com/, focusing on Pacific Coast artists and their work.
“There is a nod to post-minimalism and the poured and stretched forms of the late 1960s in the works of Jenene Nagy…” said juror Rita Gonzalez, Assistant Curator, Contemporary Art, Los Angeles County Museum of Art. “Moving off the wall and onto the floor in the manner of Lynda Benglis, Nagy compares her painted forms to props and stage sets.”
Barker’s work features “strange, ethereal forms that summon the extraterrestrial but reference the vegetal or animal worlds,” said Gonzalez.
Both artists were selected as part of a group of 40 artists from the Pacific Coast states of Alaska, California, Hawaii, Oregon and Washington. Featured artists are selected on the basis of artistic merit. Since 1993, New American Paintings has served as an experiment in art publishing, featuring juried exhibitions in print as its focus. Each competition is catalogued in a regional volume, including: Mid-Atlantic, South, Midwest, West, and Pacific Coast.
Image: “Suspended Fly Head with Stalactites,” Haley Barker, 2008, 22 × 30 inches, ink, pencil, and gouache on paper. Courtesy of the artist and Charles A. Hartman Fine Art.
An article in the January edition of Art Ltd. magazine focuses on Portland’s New American Art Union endowed series, which includes work by PNCA Faculty Stephen Slappe and PNCA Feldman Gallery + Project Space Curator Mack McFarland.
““Aiding Culture Through Couture””:http://www.artltdmag.com/index.php?subaction=showfull&id=1230067014&archive=&start_from=&ucat=39&page=reports provides an overview of the Portland arts scene in 2008 and highlights NAAU’s Couture series as “as an act of old-school arts patronage and defiant civic boosterism.”
“The Couture series”:http://www.newamericanartunion.com/Couture08/ awarded 10 Portland artists each a six-week show at in the inner Southeast gallery and an $8,000 stipend to create original artwork. The art is not for sale.
For his installment, video artist and PNCA Faculty Stephen Slappe created “Cul-de-sac,” a striking multi-channel video installation.
As part of the Video Gentlemen, Mack McFarland created BYOTV, an exhibit of televisions broadcasting single channel works and special reports transmitted live within the NAAU. Over 20 artists’ works — local, national and international — that critically and creatively engage televisual technoculture were included.
“Ruth Ann Brown’s Couture series is one of the best things to occur for Portland’s art scene in the years I’ve been here,” said McFarland. “I’m sure I do not speak alone when I say, I am really grateful for being selected. The grant allowed us — The Video Gentlemen — to build upon our previous works and move forward.”
Learn more about Pacific Northwest College of Art faculty member Anne Marie Oliver’s interview with Jacques Rancière — “Aesthetics against Incarnation” — currently featured in the Fall 2008 issue of “Critical Inquiry”:http://www.journals.uchicago.edu/doi/abs/10.1086/595633, published by the University of Chicago Press.
The interview and talk continue the line of questioning Rancière pursues in his latest book The Future of the Image, a collection of essays on art and cinema.
“Under what conditions,” the philosopher asks, “might it be said that certain events cannot be represented?” Emeritus Professor of Philosophy at the University of Paris-VIII (Saint Denis), Jacques Rancière is the author of over 20 books, including:
The Lesson of Althusser, The Ignorant Schoolmaster, On the Shores of Politics, Disagreement, The Nights of Labor, The Philosopher and His Poor, Hatred of Democracy, The Names of History,The Flesh of Words,Film Fables, and, most recently, The Future of the Image.
Oliver introduced Rancière’s February 2008 lecture, “What Makes Images Unacceptable?,” part of the PNCA+FIVE Idea Studios series at Pacific Northwest College of Art. Oliver is Assistant Professor in Intermedia, Contemporary Art Theory, MFA Contemporary Theory Seminar at PNCA. She is the co-author of The Road to Martyrs’ Square.
“View a clip of the lecture”:http://www.youtube.com/watch?v=c-ULbgFkNZs
Pacific Northwest College of Art presents “BEAUTIES,” featuring new drawings by PNCA Faculty Emeritus Robert Hanson in the Feldman Gallery and “Molly Dilworth: Dispersion” featuring new work by New-York-based artist and PNCA Artist-In-Residence Molly Dilworth in the Project Space.
Hanson’s recent drawings are part of his long-term and ongoing fascination with the human head. A long-time Professor of Painting and Drawing at PNCA, Hanson has remained a working artist in the Pacific Northwest since the early ‘70s. He is represented by Elizabeth Leach Gallery.
Molly Dilworth is a painter and curator who lives and works in Brooklyn, New York. Since earning her MFA from New York University in 2003, Dilworth has exhibited and performed nationally and internationally, in addition to collaborating with PNCA’s MK Guth on “Ties of Protection and Safekeeping” (2008 Whitney Biennial) and “Red Shoe Delivery Service” (Australia, England, USA).
Exhibition | “BEAUTIES”
Recent work by Robert Hanson
January 8 – February 20
First Thursday Opening | January 8, 6:30pm
PNCA Feldman Gallery
Exhibition | “Molly Dilworth: Dispersion”
January 8 – February 20
First Thursday Opening | January 8, 6:30pm
Feldman Project Space
Image courtesy of Robert Hanson
Through PNCA’s Continuing Education classes, Elizabeth Schwartz found exceptional mentorship and inspiration that continue to nurture her art career.
When Schwartz moved to Portland from Idaho two years ago, she hadn’t practiced any fine arts in the past. She decided to take a “Continuing Education”:http://www.pnca.edu/programs/ce/ studio class at PNCA and now finds herself immersed in art.
“It is both nerve-wracking and exciting to think in terms of letting the public see my art, when two years ago I had never even considered putting paint brush to canvas… PNCA has opened wonderful new doors for me,” she said.
Beginning Painting was the only class with a vacancy that suited her level. Since then, Schwartz hasn’t stopped painting and hasn’t stopped taking classes — she particularly enjoys the unstructured nature of the Painting Atelier class with Stephen Mauldin. In Fall 2008, she was admitted into the painting thesis class at Portland State University, and is looking forward to showing at Portland’s Urban Grind café in early 2009.
Continuing Education classes start in mid-January, “register now”:https://secure.pnca.edu/ce/reg/current_schedule.php?program=1.
Photo by John Campbell
PNCA sends a dozen artists—students, faculty, and selected Portland artists—to Brazil for a Global Studios experience that includes installing an exhibition at A Gentil Carioca Gallery in Rio de Janiero.
On January 6, Portland artists Bruce Conkle, David Eckard (PNCA), Emily Ginsburg (PNCA), MK Guth (PNCA), Don Olsen and Tamsie Ringler traveled to Rio de Janeiro with curator Elana Mann to participate in TROCA Brasil, an art exchange between PNCA and internationally-known Brazilian artists Ernesto Neto, Laura Lima and Marcio Botner who visited PNCA last year. Lennie Pitkin, PNCA’s director of study abroad, and six PNCA Global Studios: Rio students are participating in the installation of “The American Dream?” exhibition at A Gentil Carioca gallery.
The American Dream? opens at A Gentil Carioca Gallery, Rio
Saturday, January 13th, 2007
Exhibition dates: January 13 – February 15, 2007
You can read more about the artist’s Brazilian excahnge in the featured Brazil Blogs.
TROCA Brasil is an international art exchange initiated in fall 2005 by PNCA’s Feldman Gallery + Project Space and A Gentil Carioca, a gallery in Rio de Janeiro, Brazil. Introducing the idea of artists as goodwill ambassadors, the two galleries initiated an international exchange of artwork, artists and dialogue. In the first stage, the founders and internationally acclaimed artists of A Gentil Carioca – Ernesto Neto, Laura Lima, and Marcio Botner, along with Marssares and Thiago Rocha Pitta—brought innovative ideas of collective action and artistic investigation to Portland with a series of student workshops and public lectures, resulting in a site-specific installation by Neto, in addition to the multimedia work of Botner, Lima, Pitta and Marsaares. Now, the group is participating in the second stage of the project, with a group of selected Portland-based artists and PNCA students creating work as part of both a Global Studios: Rio. TROCA Brasil is co-curated by Nan Curtis, and independent curator Elena Mann.
As part of PNCA’s commitment to providing student’s with a global perspective, the Global Studios Program was founded on the principles of experiential education and intended to lead students to engage in creative practice in unfamiliar cultural settings. A high standard of creative practice in the contemporary world is an understanding of the communicative value and effect of work on a global stage. The belief of the program is that immersion and careful observation of a culture can educate students about the potency of this value and effect. Specifically, the program broadens perspectives about how we, both individually and collectively, contribute to global problems and solutions. Artists and designers, engaged in the issues of a common human experience then suggest ways in which we can contribute to and facilitate positive understanding or change. Global Studios operate on a deep level of engagement with a culture foreign to the participants.