Associate Professor and Lead Faculty in Painting & Drawing, Printmaking
MFA 1995 University of Oregon (Painting and Printmaking)
BFA 1993 PNCA (Printmaking)
JD 1982 Tulane University School of Law (Law)
BA 1979 Washington and Lee University (Philosophy)
Morgan Walker was born and spent his early life in rural Louisiana. His mother left off the study of English Literature with one year remaining on a scholarship to Sophie Newcomb College to marry his father, a rodeo cowboy who raised Brahman-cross cattle and later became a pioneer catfish farmer. His maternal grandfather, a lifelong Shriner, took him to any carnivals and circuses that passed through the parish. The paternal grandfather for whom he was named was a small-town businessman and farmer (cotton, sugarcane, oranges) with a distinctive wooden leg. His grandmother was a well-known breeder of show horses, dairy cattle, and rhesus monkeys. Morgan’s great-grandparents include a distiller of undocumented spirits, two Confederate soldiers, a French Quarter shopkeeper, and a professional fortune-teller who roamed Louisiana and East Texas in a horse-drawn wagon. After an early education in the cattle and catfish businesses he was sent away to study philosophy and law. It was during this period that he studied with the Chinese painter I-Hsiung Ju and worked as a line-handler on the Mississippi River (Port of New Orleans), heavy equipment operator in a gravel mine, and other professions including cook, bartender, and meat cutter. As a Fulbright Fellow (Fine Art) to the United Kingdom he spent significant time working in London, as did his brother D.H. Walker (film) and uncle Lestarjet Martin (architecture). This family peculiarity has never been adequately explained. Originally arriving in Oregon after traversing the North American continent by bicycle, he settled here to paint, raise a family, and play the ukulele.
Associate Professor in Foundation, Painting
BFA 1977 PNCA (Painting & Drawing)
MAT 1970 Reed College (Teaching)
BA 1968 Reed College (Literature)
Barry Pelzner has taught Drawing, Painting and Anatomy at PNCA for more than 25 years. His work is exhibited extensively in the region and is in many corporate and public collections, including a 50-foot wall relief at the Department of Human Resources Building on the Capitol Mall in Salem, Oregon. He is represented in Portland by Froelick Gallery.
Associate Professor in Painting and Drawing
MFA 2006 San Francisco Art Institute (Painting, New Genres)
BFA 1995 École Nationale des Beaux-Arts, Senegal (Painting)
Modou Dieng is a multidisciplinary artist working in mixed media, painting, photography, and installation. Dieng’s interests lie in conceptualizing visions of contemporary life constituted by a mix of humanity, topography and pastiche of forms.
Dieng evokes a city’s continuously changing facade, as well as its hybrid character and eclectic combination. His work deals with urban history, race, social status, gender, cosmopolitanism, and belonging. He has exhibited with numerous galleries and museums including: Steve Turner Gallery (Los Angeles); Pascal Polar Gallery (Brussels); Dakar Biennale (Dakar); Carousel du Louvre (Paris); Sarah Lawrence College (NY); UMass (Boston); Museum of Contemporary African and Diaspora Art (Brooklyn); and Casa Encendida (Madrid). Dieng has conducted workshops and conferences at several institutions including: Brown University, University of West Florida, Université Catholique de Louvain, The Fire Station, Denison University, and Ohio University. He is the founder and curator of Worksound Gallery (Portland, OR).
Assistant Professor in Foundation, Painting & Drawing, Liberal Arts, Intermedia, MFA Visual Studies
MA 2006 University of California at Santa Cruz (Science Illustration)
BA 2000 The Evergreen State College (Art and Environmental Studies)
Daniela Molnar is a multidisciplinary artist and designer. Her projects include art direction, design, a collaborative poetry/public art project, writing, and painting. She is a Trip Leader and President of the Board for Signal Fire, an organization that provides opportunities for artists to engage with public wild lands.She is Art Editor of The Bear Deluxe Magazine, a publication devoted to exploring environmental issues through the arts, and Art Director of Leaf Litter, Signal Fire’s art and literary journal. She is a full time Assistant Professor at the Pacific Northwest College of Art, where she has been teaching undergraduate and graduate students about painting, drawing, visual culture, critical theory, pedagogy, and illustration since 2007.
Assistant Professor in Foundation, Painting & Drawing
MFA 1994 School of Visual Arts (Visual Arts)
BFA 1992 Rhode Island School of Design (Painting)
Michael Lazarus works with a variety of materials, using carefully crafted color choices, patterns, and a vocabulary of pared down imagery to create paintings with a dynamic and powerful presence. Lazarus has shown nationally and internationally, including at Feature, Andrea Rosen, and PS1 in New York, NY; Marc Fox, Acme, and Sister in Los Angeles, CA; and Elizabeth Leach and Adams and Ollman in Portland, OR. His work has been written about in Art in America, Artforum, Flash Art, The New York Times, and The Los Angeles Times, among others.
more information at: michaellazarus.com
Michael Lazarus teaches in the Foundation Department, Painting Department, and as a Mentor in the MFA Visual Studies program.
Director of Foundation; Associate Professor in Painting & Drawing
MFA University of California, Berkeley
BFA San Francisco Art Institute
Roy Tomlinson, a native of Seattle, is a painter and interdisciplinary artist. He was awarded the Eisner Prize from the University of California at Berkeley, and is the recipient of a Gottlieb Foundation Grant. His work has been exhibited at the Oakland Museum, Mills College Art Museum, Oakland Art Gallery, San Francisco Arts Commission Gallery, and Friesen Gallery in Seattle. His solo exhibitions in San Francisco include Stephen Wirtz Gallery, Gallery 16, Miller/Brown Gallery, and SFMOMA Artist Gallery. Tomlinson has also exhibited throughout the Portland Oregon area including a solo exhibition funded by a McGeady award at the Center for Contemporary Art & Culture at the Pacific Northwest College of Art. His work has been published in Eleven Eleven, ZYZZYVA, Inquiring Mind, and Micro Publishing News among other publications. Tomlinson lived in the Bay Area for many years and taught in the Painting and Graduate departments at the California College of the Arts before joining the faculty at PNCA. He is now the Foundation Program Director and teaches in the Foundation, Painting, BFA Thesis, and Graduate programs at PNCA.
Assistant Professor in Foundation; Painting & Drawing
BA Art – Mount St. Mary’s College, Los Angeles, CA
MFA Visual Studies, PNCA
Studied classical drawing methods at Charles Cecil Studios, an atelier in Florence, Italy
Foundation Faculty – PNCA
Painting & Drawing Faculty – PNCA