The Low-Residency MFA in Creative Writing program is unique in that it considers language as one among many available materials. Situated in a school of art and design known for its strong support of interdisciplinary practices, our program encourages experimentation within and across writing forms, genres, and mediums along with a variety of publishing formats to include print, digital, sound, performance, and text-image works. This is writing as studio art.
The program offers tracks in prose, poetry, cross-genre, and literary translation. Portland-based residencies in winter and summer are supplemented with mentor-based independent work throughout the rest of the year.
Every three weeks, graduate students submit to faculty mentors creative work, brief essays on forms and methods, an ongoing reading list, and a letter addressing writing process and responding to substantive feedback from faculty mentors. This epistolary method is oldest, most intimate and, perhaps, most intensive method of creative writing instruction. Writers, geographically distant from each other, exchange creative work and letters. Through this correspondence, writers come to see each other and feel seen while teasing out ideas about method and process along the way.
This balance between independent work and community immersion during the residencies helps graduate students develop the skills for sustaining reading and writing practices throughout their lives. It teaches graduate students to develop a rigorous, self-motivated discipline while periodically inviting them into supportive, non-competitive, generative spaces of community. This is a program deeply embedded in one of the country's most literary cities.
PNCA offers talks, discussions, and readings by acclaimed writers as part of the Winter Low-Residency MFA in Creative Writing program
As part of the Winter Low-Residency MFA in Creative Writing program, PNCA offers talks, discussions, and readings by acclaimed writers, January 4th to January 12th.
PNCA hosts the Portland Zine Symposium on July 20-21, 2019
PNCA offers talks, discussions, and readings by acclaimed writers as part of the Low-Residency MFA in Creative Writing program
The Hallie Ford School of Graduate Studies at Pacific Northwest College of Art (PNCA) is thrilled to launch the Low-Residency MFA in Creative Writing with its first residential intensive. From July 28th to August 3rd, PNCA offers talks, discussions, and readings by acclaimed writers as part of the Low-Residency MFA in Creative Writing program. Everything is free and open to the public. Faculty and guests include da Carter, Alejandro de Acosta, Monica Drake, Emily Kendal Frey, Daniela Naomi Molnar, Vi Khi Nao, Jay Ponteri, Brandon Shimoda, Rachel Jamison Webster, among others.
Creative Writing Faculty Mentor Brandon Shimoda has forthcoming nonfiction book from City Lights Publishers
I just received advanced reader’s copy of Brandon Shimoda’s most amazing forthcoming nonfiction book, The Grave on the Wall, published by City Lights Books. Fifteen pages in—and every sentence dazzles. Shimoda makes a lyric portrait of his grandfather Midori who was born in a small village in Japan before emigrating to the United States.
Please join host Monica Drake from PNCA for an offsite AWP reading with bestselling authors Stephanie Land and Kelly Sundberg at Corporeal Center, March 29, 7pm. Presented on behalf of the Low Residency MFA in Creative Writing and the BFA in Creative Writing.
In the low-residency model, students to attend two 14-day campus residencies then, beyond residencies, work one-on-one with mentors. This model offers community immersion and intensive instruction while helping students to develop an independent writing practice as preparation for their future work as successful writers.
Summer 2019: Sunday, July 28 - Saturday, August 10
Winter 2020: Sunday, January 5 - Saturday, January 18
Writing in Portland
Our annual residencies are in the heart of Portland, Oregon where we are deeply integrated into its community of artists and writers who have made a real commitment to making art that is revelatory, experimental, and that advocates for social justice.
The program draws upon our existing strong relationships with partners in our burgeoning Portland literary scene—including Write Around Portland (WRAP), IN TRANSLATION Reading Series, Literary Arts, Independent Publishing Resource Center (IPRC), Regional Arts & Cultural Council (RACC), Mother Foucault’s bookshop, Powell’s Books, Passages Bookshop, Poetry Press Week, Tender Table, Street Books, along with a host of local, regional, and national small presses, e.g., Tavern Books, Gramma Poetry, New Directions, Wave Books, Hawthorne Books, among others.
Thanks to a Collins Foundation Grant, we are able to fulfill our envisioning principle of encouraging equity in race, gender, and sexual identification/orientation in American literary culture.